X100T X100T: SOOC JPEG Beispielbilder, original in voller Auflösung mit allen EXIFs

[Rico Pfirstinger]

Werbung (verschwindet nach Registrierung)

Nach einigen Wochen Vorserientest habe ich inzwischen eine Reihe von Beispielbildern für meinen demnächst kommenden X100T-Bericht erstellt.

 

Zum Betrachten und Herunterladen der Original-JPEGs in voller Auflösung einfach auf die jeweiligen Bilder klicken. Auf Flickr gibt's dann auch die vollständigen EXIFs inklusive Fuji Maker Notes.

[Rico Pfirstinger]

DSCF1316 – CC (SOOC JPEG) by ricopress, on Flickr

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, Classic Chrome

 

Natural light, no flash, no reflector, no accessories. Classic Chrome for muted colors and neutral skin tones, DR400% for smooth tonality in the sunlit face, Highlight Tone -1 to retain color texture in the brightest areas. Sharpening +1 and Noise Reduction -1 add crispness and enhance details of this wide aperture exposure.

[Rico Pfirstinger]

DSCF1254 – P (SOOC JPEG) by ricopress, on Flickr

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, Provia

 

Lighting up a dull, overcast day with an ETTR exposure at base ISO (originally shot for an external RAW workflow) and -1/3 EV pull processing in the built-in RAW converter. Sharpness +1 and Noise Reduction -1 to counter any wide open aperture and teleconverter softness. White Balance set to Daylight.

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF1050 – PNS (SOOC JPEG) by ricopress, on Flickr

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, Pro Neg. Std

 

A snap from the second day of our Fuji X Secrets INTENSIV three-day Workshop.

 

Catching the last sunlight of the day with a reflector: Pro Neg. Std neutralizes color tints caused by mixing warm and cold light, setting Shadow Tone to +2 adds contrast to the eyes and darker parts. White Balance set to Daylight, Noise Reduction -1 and Sharpness +1. Dynamic Range was set to DR200% to retain color texture in the backlit hair.

[Rico Pfirstinger]

DSCF1037 – PNH (SOOC JPEG) by ricopress, on Flickr

 

Fuji X Secrets INTENSIV Workshop, Day 2

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, Pro Neg. Hi

 

 

Mixing natural light with different color temperatures requires manual in-camera adjustments (thankfully, there is a built-in RAW converter): Pro Neg. Hi offers nice contrast with neutral skin tones, Shadow Tone +2 adds shadow contrast and reduces flare (there's no official lens hood for the TCL-X100). Highlight Tone +1 adds highlight contrast to the sunlit pavement in the background, Sharpening +2 and Noise Reduction -2 produce maximum micro contrast and reveal more detail at base ISO. White Balance was set to 4000 Kelvin to balance warm sunlight with cold shadows. No flash or accessories used.

[Rico Pfirstinger]

DSCF1010 – PNS (SOOC JPEG) by ricopress, on Flickr

 

Fuji X Secrets INTENSIV Workshop, Day 2

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, Pro Neg. Std

 

Pro Neg. Std offers natural and subtle colors paired with little contrast, so adding shadow contrast with Shadow Tone +2 is here a must. Exposed to the highlights at base ISO and with standard sharpness and noise reduction for a smooth sky.

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

Werbung (verschwindet nach Registrierung)

DSCF1046 – SOOC JPEG (B&W+Ye) by ricopress, on Flickr

 

Fuji X Secrets INTENSIV Workshop, Day 2

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG (B&W+Ye)

 

Black and White with Yellow Filter adds contrast between the skin tones / the wall and the eyes / hair. For black and white JPEGs, minimal noise reduction (-2) and increased sharpness (+1) is typically useful to make the result look more natural (or "analog"), and we achieve maximum contrast by setting both Shadow Tone and Highlight Tone to Hard (+2). Shot with DR200%.

 

DSCF1028 – PNS (SOOC JPEG) by ricopress, on Flickr

 

Fuji X Secrets INTENSIV Workshop, Day 2

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, Pro Neg. Std

 

The same subject in a color version, with neutral Pro Neg. Std and Shadow Tone +2. Highlight contrast was reduced with Highlight Tone -1 to preserve skin color tonality along with DR200%.

 

This BTS shot shows me and two delegates (with X-T1s) doing it:

 

 

[Rico Pfirstinger]

DSCF1047 – SOOC JPEG, ISO 3200 by ricopress, on Flickr

 

Fuji X Secrets INTENSIV Workshop, Day 2

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG

 

High-ISO 3200 street scene portrait in very low light, converted with the camera's standard black and white film simulation setting. Shooting at or above ISO 800, DR can be set to a fixed 400%, as you can always reduce the setting later (if required) to 200% or 100% with the internal RAW converter. In this case, DR400% was useful to avoid blown highlights in the face. Shadow Tone +2, Sharpness +2 and Noise Reduction -2.

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF1021 – CC  (SOOC JPEG, ISO 1600) by ricopress, on Flickr

 

Fuji X Secrets INTENSIV Workshop, Day 2

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, Classic Chrome

 

ISO 1600 night portrait illuminated by a single incandescent lamp sitting in the ground. White Balance was accordingly set to Incandescent, Classic Chrome offers natural skin tones. DR400%.

 

DSCF1048 – SOOC JPEG, ISO 1600 (B&W+Ye) by ricopress, on Flickr

 

Fuji X Secrets INTENSIV Workshop, Day 2

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, B&W+Ye

 

"Film Noir" black & white version of the previous shot. Processed in-camera with a virtual yellow filter, Shadow Tone +1, Sharpness +1 and Noise Reduction -2.

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0969 – PNS (SOOC JPEG, ISO 1600) by ricopress, on Flickr

 

Fuji X Secrets INTENSIV Workshop, Day 2

 

Fujifilm X100T (pre-production) & TCL-X100, SOOC JPEG, Pro Neg. Std

 

Another handheld night shot at ISO 1600, using Pro Neg. Std to neutrally capture the very different colors and color temperatures of this scene. DR400% preserves the highlights. With shots like this, one really wishes for an OIS.

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0022 – PNH (SOOC JPEG) by ricopress, on Flickr

 

Wasserburg

 

Fujifilm X100T (pre-production), SOOC JPEG, Pro Neg. Hi

 

Sharpness +1, Noise Reduction -1, Pro Neg. Hi for natural colors and increased contrast.  Exposure to the highlights with a little low-key bias in order to achieve a dramatic in the sky and with the partial sunlight.

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF1410 – BW+R (SOOC JPEG) by ricopress, on Flickr

 

Wasserburg am Bodensee

 

Fujifilm X100T (pre-production), SOOC JPEG (B&W+Red Filter)

 

Low-key exposure with maximum-contrast processing in the built-in RAW converter: Shadow Tone +2, Highlight Tone +2, Sharpness +2, Noise Reduction -2

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF1431 – PNS (SOOC JPEG) by ricopress, on Flickr

 

Wasserburg am Bodensee

 

Fujifilm X100T (pre-production), SOOC JPEG (Pro Neg. Std)

 

Another low-key example with muted colors and soft bokeh thanks to Pro Neg. Std. Shadow Tone +1, Sharpness +1, Noise Reduction -1

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

 

Wasserburg am Bodensee

 

Fujifilm X100T (pre-production), SOOC JPEG (Astia), manually set hyperfocal distance at f/16

 

Using the camera's built-in RAW converter to change a classic "overexposed" ISO 200 ETTR exposure into something more like ISO 100: pull processing by -2/3 EV, Sharpness +1, Noise Reduction -1, Shadow Tone +1, Highlight Tone +1

 

 

Wasserburg am Bodensee

 

Fujifilm X100T (pre-production), RAW / Lightroom 5.6 (Pro Neg. Hi), hyperfocal distance at f/16

 

This is the original (uncorrected) "classic" ETTR exposure at base ISO 200: histogram leans to the right without clipping any highlights, resulting in a less noisy but overexposed looking image

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF1664 – V (SOOC JPEG) by ricopress, on Flickr

 

Meersburg am Bodensee

 

Fujifilm X100T (pre-production) & WCL-X100, SOOC JPEG (Velvia)

 

Using Velvia to add some color to a very dull day. Even the sky looks blueish, although in reality, it was completely overcast and rainy. Sharpness +1, Noise Reduction -1

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF1725 – CC (SOOC JPEG) by ricopress, on Flickr

 

Meersburg am Bodensee

 

Fujifilm X100T (pre-production), SOOC JPEG (Classic Chrome)

 

Wide-open shot with Classic Chrome and a little bit of extra shadow contrast. Shadow Tone +1, Sharpness +1, Noise Reduction -1

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF1688 – PNS (SOOC JPEG) by ricopress, on Flickr

 

Meersburg am Bodensee

 

Fujifilm X100T (pre-production), SOOC JPEG (Pro Neg. Std)

 

Pro Neg. Std was my choice for muted, delicate colors with maximum texture for a very natural looking result. Shadow Tone +1, Sharpness +1, Noise Reduction -1

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF1703 – PNH (SOOC JPEG) by ricopress, on Flickr

 

Meersburg am Bodensee

 

Fujifilm X100T (pre-production), SOOC JPEG (Pro Neg. Hi)

 

While the wind was moving them, 1/400s and the camera's quick autofocus stopped these wind chimes in their tracks. Sharpness +1, Noise Reduction -1

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0188 – BW+Gr (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen, Zeppelin-Museum

 

Fujifilm X100T (pre-production), SOOC JPEG, B&W+Green Filter

 

Black&white shot with a virtual green filter and maximum contrast (Shadow Tone +2, Highlight Tone -2). Sharpness +2 and Noise Reduction -2

 

DSCF0189 – BW+Gr (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen, Zeppelin-Museum

 

Fujifilm X100T (pre-production), SOOC JPEG, B&W+Green Filter

 

Wide open (f/2) black&white close-up with a virtual green filter and maximum contrast (Shadow Tone +2, Highlight Tone +2). Sharpness +2 and Noise Reduction -2

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0087 – CC (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen

 

Fujifilm X100T (pre-production), SOOC JPEG, Classic Chrome

 

Classic Chrome macro shot at f/2.8, Sharpness +2, electronic shutter at 1/2500s

 

DSCF0091 – CC (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen

 

Fujifilm X100T (pre-production), SOOC JPEG, Classic Chrome

 

Classic Chrome infinity shot at f/2 with soft front bokeh and electronic shutter at 1/5000s

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0125 – V (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen

 

Fujifilm X100T (pre-production), SOOC JPEG, Velvia

 

Typical Velvia film simulation shot with high contrast, deep blue shadows and saturated colors. Highlight Tone set to -1 to add color and texture to the otherwise too bright/white clouds and sky

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0114 – V (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen

 

Fujifilm X100T (pre-production), SOOC JPEG, Velvia

 

Another contrasty Velvia shot, exposed to the highlights of the white Zeppelin Museum building. Sharpness +1, Noise Reduction -1

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0157 – CC (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen

 

Fujifilm X100T (pre-production), SOOC JPEG, Classic Chrome

 

High-contrast scene near sunset, exposed to the highlights and rendered with Classic Chrome and otherwise factory settings

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0150 – A (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen

 

Fujifilm X100T (pre-production), SOOC JPEG, Astia

 

Backlit Astia ETTR shot with nice contrast and smooth whites that do not clip

bearbeitet 24. Oktober 2014 von flysurfer

[Rico Pfirstinger]

DSCF0210 – CC (SOOC JPEG) by ricopress, on Flickr

 

Friedrichshafen

 

Fujifilm X100T (pre-production), SOOC JPEG, Classic Chrome

 

Ships in the water and in the air: ETTR harbor scene with -1/3 EV pull processing in the built-in RAW converter. Shadow Tone +1

bearbeitet 24. Oktober 2014 von flysurfer

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